There are more than 33 million U.S. citizens of Irish ancestry, nine times the population of Ireland. I originally created these illustrations to share my Gaelic Celtic heritage with my children who also posed for some of them. This gallery is dedicated to my kinsmen, to kindred spirits everywhere, and to our children, and to our children's, children's, children...

 Brigit (AKA Saint Brigit) was the Gaelic goddess of poetry which the Gaels deemed an immaterial, supersensual form of flame. She was also considered the most important of the Dagda's children. 

      " When most people think of Celtic Art they think of design or abstract Celtic Art such as Celtic Knot work or Celtic Tattoo designs, ornamented tools, weapons, or  jewelry. For centuries, there has been a shortage of Realistic Celtic Art and Illustration. 

Recently, there has been a world wide revival of interest in Celtic Art and Celtic Culture. Gaelic Celtic American Scientific and Historical Illustrator Howard David Johnson has worked from the latest archaeological and anthropological evidence to give us one of the most accurate views ever of the lost civilization of the Ancient Celts. His Illustrations from Gaelic Celtic Mythology with their authentic Irish settings, Standing stones, Celtic Tattoos, Celtic jewelry, Celtic Knotwork and Gaelic mythological characters are one of the largest exhibitions of realistic Celtic Art by a single Celtic artist in history.  Licenses to publish HDJ's Celtic Art and illustrations are available by writing. 

The Celtic Art of Howard David Johnson: The Ulster Cycle illustrated... The Tuatha de Da Naan, the Fomorians and The Red Branch Knights! An exhibit of Photo Realistic Colored Pencil Drawings created in the 1990's & a full size image of one these photo-realistic Colored Pencil Drawings from the Ulster Cycle is displayed for close scrutiny- Plus exciting new pieces of Celtic Art created in mixed media for the 21st century and beyond.

  The Heroes of Ulster, the main focus of our exhibit, have no part in fairyland, but their enemy, Medb or Mave  (below right) is credited with Queenly rule among the Sidhe ( Fairies ) and is held by some to be the original "Queen Mab" (left). These illustrations are based on my euhemeristic approach, which attributes the origin of the gods to the deification of historical heroes or real persons and events.  I did these pictures to teach my children about their Gaelic Celtic heritage because I could find hardly any to show them when I told them the old stories. When I began working on these Gaelic Celtic Art illustrations in 1995 I employed the methods I learned as a scientific illustrator.  I thought I was dealing with Mythology, which I define as a dead religion.  I am so glad now that I treated the material with respect. What a surprise to find out after I exhibited them that this religion has revived in a new form. Of course I say a new form because claims that this Modern Celtic Paganism is the exact same religion practiced by the Druids and the Ancient Celts are impossible to substantiate.  This is because the Ancient Celts, like the Pre-Historic Hebrews had no written language and relied on oral tradition.

    Because of this, the harpist was of incredible importance to the ancient Celts. The harp is the living symbol today of the Gaelic Celtic oral tradition and Celtic music is now celebrated all over the world. The only extant accounts of the Druids are brief mentions in the writings of Julius Caesar from the first century B.C. which go into no useful details whatsoever on this matter.  I've heard it said: "Ask a hundred Pagans: What is Paganism and you're likely to get a hundred different answers." This does not make this any easier for contemporary scholars to sort out. However, It is my American Scots-Irish family's roots and cultural heritage after all and I feel what we do have is to be preserved and never to be treated lightly even if I don't believe any of the supernatural elements in it. ( For more on my struggle to sort out history from mythology see the essay "How do we sort out History and Mythology?" below ). My scholarly Gaelic Celtic sources* and also, more art & my essays on art and art and technology follow."

~Howard David Johnson MMIV  

AVAILABLE NOW:    ORIGINAL ART     ART INSTRUCTION   ART BOOKS    PUBLISHING LICENSES     BOOK COVER ART

Myths and Legends of the Ancient Celts

The Contemporary Gaelic Celtic Mythic Art of Howard David Johnson

The chieftain gods of the Tuatha dé Danann were expected by means of their supernatural powers and their four magical treasures, the Cauldron of Dagda, the Spear of Lugh, the Sword of Nuada and the Stone of Fàl to secure and advace the welfare of the people. The men were the Dagda, Lugh, Nuada, and the women were Danu, Anu, Brigit, and Emain Macha. The heroes of the Celts, such as Cu Chulainn and Finn, although of divine ancestry are in a different category than the gods of the Gaelic Celts, just as Perseus and Siegfried are sons of Zeus and Woten in Greek and Nordic mythology. Here we see Cuchulainn going into battle in his legendary war chariot with it's deadly  scythes.

"Cuchulainn's War Chariot" (MMIX Mixed Media)

"Celtic Queen Boudica and the Morrigu" MMX Left and "Queen Mab, the Bringer of Dreams" MMVI right (both are Oil on Canvas).

Dechtire, mother of Cuchulainn

Domnu, goddess mother of the Fomorians

The seduction of Aoife, the Amazon

The wooing of Emer

Cuchulainn, chief hero of the Ultonians

Conlaoch, The son of Cuchulainn and Aoife, the Amazon

Death of Conlaoch

Bodbh, goddess of war and death

Danu, mother goddess of the Gaelic gods

Titania, Queen of the Faieries

The Dagda, Gaelic god of the Earth   

Deirdre of the sorrows

The Spear of Lugh

Finn mac Coul

Artio, goddess of the chase

Cuchulainn, the Giant Slayer

   The Tuatha De' Da Nann were the children of Danu, and the Gaelic Celtic gods. Their enemies were the Fomorians, paralleling the Greek and Norse myths, with the Giants versus the Olympians and the Jotung against the Aesir. The greatest of these Celtic gods appears to have been Nuada, called Argetlam, or "he of silver hand", after the first battle of Moytura in which he lost a hand subsequently replaced by one of silver.

 Nuada was at once the Gaelic Zeus, or Jupiter, and their war god; for among primitive nations, to whom success in war is all-important, the god of battles is the supreme god. The name the Gauls gave him was identified with Mars and he was one of the most important gods of the Britons as well.

 He was possessed of an invincible sword, The Sword of Nuada; one of the four chief treasures of the Tuatha De' Da Nann, over whom, Nuada was twice king and the British Isles were no doubt conquered under his auspices. The Ancient Celts were madly fond of war and worshipped this god, who delighted in battle & slaughter with human sacrifice - the Latin poet Lucan tells us.  

Over the course of a thousand years the Tuatha dé Da Nann evolved into the Fairies and the Little People.  For more art galleries devoted to the Fairies, the King Arthur Legends and lots of other folklore, myths and fables see the links below...

The Heathen gods of the Irish evolved into "the little people" AKA fairies and the Shee, ( or Sidhee in Gaelic. ) Other names for fairy and fairy like creatures include the leprechaun, fay, sprite, elf, brownie, pixie, pixy, Robin Goodfellow, dwarf, gnome, troll, kobold, peri, and the hobgoblin. For more of David's extensive work visit the Gallery links below.

	In the search for a special boy to offer as a human sacrifice to rid them of this pestilence, the boy Merlin is found and through strange twists of fate becomes one of the greatest dragon masters of the Celtic legends where his vision of the red dragon is a prophecy of the coming of King Arthur. Arthur's father was known as Uther Pendragon or the “Dragon Chief."    In factual history Henry VII [or Henry Tudor]  flew a red dragon of Cadwaladr ap Cadwallon on his battle flag, The earliest recorded used of the red dragon as a symbol of Wales is in the 'Historia Brittonum'.    The red Dragon was first brought to Great Britain during the Roman era and history tells us they first learned of it from the Persians. The Red Dragon or 'draco' symbol was used as a standard by the Roman army but over time it was adopted by the Welsh people as their national flag. It is the oldest extant national flag flying today.    The great Welsh king, Cadwaladr, carried the dragon standard as a symbol of bravery and fierceness. Welsh princes and warriors continued the tradition. In 1346 during the Battle of Crecy Welsh archers in the English army carried the same standard.
Henry Tudor, who was descended from Cadwaladr, carried a banner with a Red Dragon into the Battle of Bosworth Field in 1485. When he became Henry VII he decreed that the red dragon should adorn on Welsh flag. In 1959 Queen Elizabeth II declared that the red dragon on a green and white field should become the official symbol of Wales and thus this time honored legend is still vibrant and alive in the 21st Century.

Gorgeous Quality Reproductions for Publishing Licenses! Wholesale  Collectible Fine Art Reprints, Posters, & Licenses for Commercial use in   Books Cards Posters Magazines CDs DVDs Videos & more are available at reasonable rates. COMMERCIAL SIZE 300 DPI PRINTING MASTER FILES ARE AVAILABLE FOR ALL HIS FAIRY PAINTINGS - ANALOG OR DIGITAL COVER FORMATTING AVAILABLE E-MAIL FOR COURTEOUS &  SPEEDY SERVICE

Bibliography/ Acknowledgements

some key text sources and recommended reading:

Mr. E.W.B. Nicholson, M.A.   "Keltic Researches"

The Lady Wilde "Ancient Legends of Ireland"

Crofton Croker "Fairy Legends and traditions of the South of Ireland"

John Rhys: "Studies in the Arthurian Legend" and " Lectures on the Origin and Growth of Religion as Illustrated by Celtic Heathendom"

Alfred Nutt: "Popular studies in Mythology, Romance, and Folklore"

O'Curry: "Manners and Customs of the Ancient Irish"

De Jubainville: "Cycle Mythologique Irlandais"

Tacitus: " Annals" and "Agricola"

Julius Caesar: "De Bello Gallico"

Nennius: Historia Britonum 

       Did you know the real life Robin Hood ( before the legend was Christianized ) actually fought the ancient Romans during the reign of Emperor Claudius and was really a Celtic Warrior named Caracticus?  Consider as a more recent example of this problem, 20th century American President Theodore Roosevelt. He lives in history because of his heroic charge up San Juan hill with his legendary roughriders. When this story was printed in William Randolph Hearst's newspapers it catapulted him to fame and ushered him into the White House as a glorious American War Hero. Everyone has seen the paintings and statues of Teddy Roosevelt and his roughriders dressed in khaki, mounted on horseback and charging fearlessly forward waving their swords. In reality, it was a group of Heroic African American Buffalo Soldiers who took San Juan Hill in spite of their heavy casualties. They did not wear khaki. They were not mounted on horseback, but were foot soldiers in the same dark blue uniforms of the U.S. cavalry as worn during the Indian Wars. Roosevelt's group actually took a nearby Hill against light resistance but Hearst said that would not sell newspapers so he created an American Myth. So as we see, here is something taught to children in schools as history is just not true at all, but yet, this myth shaped the true history of the world in  the 20th century and beyond.

            If Teddy Roosevelt had not been elected president, neither would his nephew, Franklin Delano Roosevelt, who provided very real and crucial leadership during the Great Depression and the Second World War. Neither would Theodore Roosevelt have built the Panama Canal or established the conservation of our natural resources. So here we see Modern Myth not only influencing, but creating History. In reality, I perceive Theodore Roosevelt was a much greater president than history gives him credit for. Although it is true his kindness created the "Teddy Bear", He really was also fit and trim, vigorous and active, and a very tough president in his foreign policies. He was instrumental in America's emergence as a world power. It is also true that he came from the upper upper class - old money in New York with a background of great wealth and limitless luxury and chose to be an outdoorsman, a cowboy, and soldier. When he was given office, he embraced the concept of being a good Shepherd , of seeking justice for all Americans - for this he was called a "traitor to his class".

         Actually, he is the savior of his class. In my estimation, it is President Theodore Roosevelt who is most responsible for the end of the then imminent threat of communist revolution or takeover in America. Throughout the early 20th century Socialist Revolutions were sweeping across the globe. Conditions for the workers in America were appalling. Child Labor, dangerous working conditions, ungodly long hours, degradation, and shockingly low pay. When Karl Marx wrote his "Communist Manifesto" he never dreamed of an affluent MIDDLE class. A middle class that is comfortable and savoring, life, liberty, and the pursuit of happiness is not going to rise up in murderous anger and "Storm the Bastile". What Global Communism could not contend with was America's happy and prosperous middle class. Theodore Roosevelt practically invented America's affluent middle class and eliminated the threat of Communist revolution in America.  Although he was well loved, he was also hated and caught tremendous heat from the wealthy elite for sharing a small portion of their wealth with the common man. He saved them from a Second American Revolution by customizing capitalism to a kinder, gentler form than the horrors of the late 19th century. Like General Winfield Scott, who won The American Civil War before it started, he defeated his foes with an idea. If the Robber Barons had had their way, their greed could well have caused America to fall to communism. Today, we have a new generation of robber barons but no Teddy to stand up for the little guys. I feel the true history about American President Theodore Roosevelt is more amazing than the myth, but they are interwoven and inseparable, without the one, we would not have the other. He was both a glorious and a tragic figure. As a leader and as a man I believe he is badly underestimated. It was only when his beloved son, nicknamed "Quinnykins" died fighting in World War One that he finally saw through all the myths and glamour to see the awful truth about war face on. He never got over his guilt for glorifying war to his son. We could all learn a lot from his experiences.

         War costs money...trillions of dollars. War takes human lives...millions of them! War makes children old, breaks parent's hearts, kills morale. War destroys cities, art treasures, civilization! The first world war alone cost thirty million lives and 4 trillion dollars when adjusted to the buying power of modern U.S. dollars. With the money at the time we could have built a three bedroom two bath house furnished with fine hardwood furniture on five acres of quality land for every family in The United States, Canada, Australia, England, Scotland, Wales, Ireland, France, Belgium, Germany and Russia. There would have been enough left to build and stock a first class library and a proper university in every town of 20,000 people or more. Out of the balance we could pay the salaries for life of 125,000 teachers and 125,000 nurses. The remaining balance could have bought 1919 Belgium and France and everything in them.

           I see History as an endless waltz. Three beats over and over. War, Peace, and Revolution. Three beats over and over in an endless cycle of death, destruction, and regeneration. An Endless Waltz... and those who do not learn the lessons of history are doomed to dance this deadly waltz and pay this Frightful price for War. As modern technology such as jet aircraft and thermonuclear missles make the world smaller & more dangerous everyday, tolerating each other's racial, social, & religious differences & living together in peace has now become key to the continued survival of mankind through the 21st century...

~H D Johnson 2003

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ABOUT THE ARTIST

"Those who are enamoured of practice without science are like a pilot who goes into a ship without rudder or compass and never has any certainty where he is going. Practice should always be based upon a sound knowledge of theory, of which perspective is the guide and gateway, and without it nothing can be done well in any kind of painting."

In addition to his mastery of traditional media, Howard David Johnson now combines drawing, painting, photography, and digital media with more than thirty years of experience in these fields to create his Realistic Art Numérica in 21st century paintings and pictures. Did you know the Greek word "Photography" means "Painting with Light"? Today with the advent of computers it truly lives up to it's name. Due to developments in Art and Technology, a broader definition of painting is needed than that which is found in common usage. Announcing Art Numérica -an exciting merger of traditional visual art and cutting edge technology... a new art form for the twenty- first century... Art Numérica is not limited to realistic art but also offers limitless horizons for everything from cartoons to abstractions. It is the most dramatic development in the visual arts since the Renaissance. In the words of Al Jolson in the movie world's first talking picture" You ain't seen nothin' yet!"

"Painting, in art, the action of laying colour on a surface, or the representation of objects by this means. Considered one of the fine arts"

~Encyclopaedia Britannica. 

"Painting. noun. 1.) The act or employment of laying on colors or paints. 2.) The art of forming figures or objects in colors on canvas or any other surface, or the art of representing to the eye by means of figures and colors any object; the work of an illustrator or painter. 3.) A picture; a likeness or resemblance in shape or colors. 4.) Colors laid on. 5.) Delineation that raises a vivid image in the mind; as in word painting.

~ Webster's Unabridged Dictionary of the English Language

Pastel, Acrylics, and Colored Pencils combined	Snobbism in the arts is nothing new. Some people will tell you that oils are the only valid medium for realistic paintings. That Colored Pencil, Digital, and other Realistic Painting and Drawing Media are not valid  for "real" art. Young artists, Don't let them bother you. Their forerunners used to condemn Pastels before they gained acceptance and called them "crayons" when Johann Alexander Thiele (1685-1752) invented them.  Mercilessly disrespectful  art critics of the time could not stop the Experimentalists no matter how viciously they attacked and derided them. "Crayon-painting" as it was called in England was practiced early on by persecuted pioneers in Switzerland and many other nations. What a debt we owe to these master artists who refused to knuckle under to the pressure of those short-sighted critics during those historic and experimental times. It took until 1870 with the founding of the "Societe` Des Pastellistes" in France that respect came  at last to these heroic & immortal visual artists.
In England the liberation of the Pastellists from slight regard and undeserved disrespect came with the first exhibition of "The Pastel Society" at the Grosvenor Gallery in 1880. Pastel Painters like Mary Cassat and others from America and other nations forever silenced  the snobs with their masterworks and gained recognition at long last for Thiele's invention as a valid art medium. I am persuaded that history will repeat itself.  Like Pastels, I believe these wonderful new colored pencils and even Digital Realistic Art Media will one day receive the recognition they deserve as powerful mediums of artistic expression just as pastel paintings did. What is your definition of art? Have you thought about it? Mine is: "anything that makes you feel or think."      Consider dancing... it can be a little skip in the step or rise to the level of the incomparable Russian Ballet. Did you know that just the materials alone for a single oil painting cost up to a thousand dollars these days? Even paying the artist less than minimum wage no one but the super rich can afford them anymore. Something's got to give. Realistic paintings in oil have been highly prized for centuries and the appeal and following of realistic art is undiminished to this day. Oil paintings featuring Abstract Art and Realistic Art are generally the most treasured form of all the visual art media and with good reason. But snobbish art critics  favoring abstract art have declared  that realistic paintings, or illustrations are not art for a century. With so many representationalist  paintings by so many immortal master artists hanging in the Louvre, the Hermitage, and the British Museum and others I think the disrespect for realistic illustrators that dominated the 20th century is academically ridiculous as well as vain and intolerant, insisting theirs is the only valid opinion. What is your definition of Art? I believe almost any form of human expression can be raised to the level of "high art" especially  visual art and Realistic illustration...
The detail reveals Realistic art and abstract art combined	By my own definition of art, which is: "anything that makes you feel or think" most abstract paintings are not "real art" to me personally, because abstract paintings usually neither make me feel or think,  usually focusing obsessively on technique and avoiding any coherent content. I usually draw a complete blank mentally and emotionally when I look at them. In 1979 the Houston Metropolitan Museum of Art displayed a triptych of 3 giant   paintings they paid fifty thousand dollars for-  three blank white canvasses entitled "untitled". Then there was "The incredible new artistic Genius" with an I.Q. of 62 ...Congo the chimpanzee with his gala New York art exhibition...an elaborate prank played on the Snobbish American Art critics about a generation ago by research scientists in the field of primatology. Imagine how upset they were when he created one of his "ingenious masterpieces" right before their eyes. ( My Source for this is the Time Life Science Library volume entitled "The Primates". )
Art education has been almost completely removed from American Schools as a result of generations of this kind of  fabulous nonsense contributing to America's cultural illiteracy crisis. Now, the works of Leonardo Da Vinci, Michaelangelo, and other notables are being removed from school libraries.  After generations of this, most American college graduates today cannot name even one living visual artist, abstract or realistic. There is no way that mandating more math, requiring more reading, or scheduling more science will replace what we have lost as a culture.     What is your definition of Art? ~HDJ *****
Note: Abstract Paintings by Congo the Chimpanzee outsold Warhol and Renoir by over 25,000 dollars in June 2005 at a London art auction. Born in 1954, Congo created more than 400 drawings and paintings between the ages of two and four. He died in 1964 of tuberculosis.

Essay Two : The Rebirth of Realism

More thoughts on realistic art yesterday and today by the artist

Art History has entered a new era with the birth of Art Numérica, or digital art media in the 21st century. Artists never stop exploring with mediums. Artists have been developing techniques, experimenting with different tools since at least twenty- five thousand years ago, when the first artist picked up a charred stick and scratched a picture out on the wall of his cave. You'd think everything would have been tried by now, but it hasn't. Exploring new mediums this very day is just as exciting, just as full of freshness and newness as it ever was.

          Early abstract art  masters proved themselves as realistic artists before delving into realms of the intangible. They had to do this at that time to prove themselves because of the challenges they faced from the establishment  for going against the status quo. In the latter part of the 20th century, realistic artists like HDJ were challenged to do abstract art to prove themselves as shown in the example above (Deirdre of the sorrows). Later realistic art training was abandoned in most schools and things like splattering paint in fits of rage  were deemed more than enough. By the end of the 20th century something as destructive and ridiculous as nailing a pack of cigarettes to a shoe was considered fine art but not realistic paintings. Fashions in art have often been as silly as fashions in ladies hats.  As the century drew to a close, many people had had enough. The realistic revolt was at hand. The rebirth of realism was fueled by the advent of the digital era. Now, for the first time in almost two centuries, an artist or illustrator could earn a decent living again with his realistic art. This is historic. Realistic art is not going to go away, especially now that photography has truly merged with traditional realistic visual art. Photography comes from the Greek words meaning "painting with light". Now with the advent of digital media the capability of realistic art has become almost limitless, truly, "painting with light". The merger of all the world's art forms to realize the potential of motion pictures has come now to still realistic art media. This website for example, combines music, prose, poetry, photography and traditional realistic art media to create an experience beyond merely looking at realistic paintings.

        The twenty- first century is already seeing a new renaissance in the arts because of the world wide web. There has never been anything like it. Abstract art, computer art, photographic art, and realistic art are continuing to be separate schools of art but are also blending to create exciting new horizons. Although Digital art does offer completely new horizons to the artist in the 21st century it does not mean the end of our time honored art traditions. Instead, it offers additional ways to keep these traditions and schools of thought  fresh and alive. ~ HDJ

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FREE ART LESSONS   & PAID PERSONAL INSTRUCTION    Five pages of free art lessons are provided free of charge to aspiring artists. Click on The Oracle for links to them. After you have seen them, if you would like to still learn more of his art techniques - personal instruction is available. Although portraiture is essential to quality realistic illustration, it is not the primary focus of our school, but rather to teach everything needed for you to produce good visual story telling art or dramatic illustrative portraits. For more on The Brandywine School of ILLUSTRATIVE ART... Click on the portrait to your right for more... ( These lessons are jam packed with unpublished huge - easy to study 12x18 images by the artist)